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Barcode 147 Fontspace Cursive Movie Music AthleticRichard Austin: Frys Ornamented (2007) is a revival of Ornamented No. 2 which was cut by Richard Austin for Dr. Edmund Fry in 1796. Stephenson, BlakeCo. Paul Rdles great jump page for foreign fonts and phonetic fonts. Google. Akkphon (1999) is a free phonetic font found at the Hungarian Akadmiai Kiad. A bunch of truetype fonts with many accents, probably for some German dialect: ALDlight, ALD1Italic, ALD2Italic, ALD3Italic, ALD4Italic, ALD5Italic, ALD6Italic, ALD7Italic, ArialMT, Arial-Black. These fonts were designed for (phonetic) transcriptions of Indo-Baltic languages. Salamanca, Spain, 1963) is a professor of classics at the University of Plasencia in Spain. This font has over 5000 glyphs, and contains most characters that concern classicists (rare symbols, signs for metrics, epigraphical symbols, Saxon typeface for Old English, etcetera). A demo font can be downloaded see also Lucius Hartmanns place. He also created a package of fonts for Latin paleography (medieval handwriting on parchments): Capitalis Elegans, Capitalis Rustica, Capitalis Monumentalis, Antiqua Cursiva Romana, Nova Cursiva Romana (2014), Uncialis, Semiuncialis, Beneventana Minuscula, Visigothica Minuscula, Luxoviensis Minuscula, Insularis Minuscula, Insularis Majuscula, Carolingia Minuscula, Gothica Textura Quadrata, Gothica Textura Prescissa, Gothica Rotunda, Gothica Bastarda, Gothica Cursiva, Bastarda Anglicana (2014) and Humanistica Antiqua. PDF entitled Fonts For Latin Palaeography (2008-2014), in which Marcos gives an enjoyable historic overview. In 2011, he created two simulation fonts called Sefa rad and Al Andalus which imitate Hebrew and Arabic calligraphy, respectively. Cyrillic OCS (2012) is a pair of Latin fonts that emulate Old Church Slavonic (old Cyrillic). In 2013, he created Cuneus, a cuneiform simulation typeface. Paleographic fonts for Greek (2014) has ten fonts designed by Marcos: Angular Uncial, Biblical Uncial, Coptic Uncial, Papyrus Uncial, Round Uncial, Slavonic Uncial, Sloping Uncial, Minuscule IX, Minuscule XI and Minuscule XV. These fonts are representative of the main styles of Greek handwriting used during the Classical World and Middle Ages on papyrus and parchments. Barcode 147 Fontspace Cursive Manual Of GreekThere is also a short manual of Greek Paleography (71 pages) which explains the development of Greek handwriting from the fourth century B.C. A.D. He wrote a text book entitled History of Greek Typography: From the Invention of Printing to the Digital Age (in Spanish). In 2012, she made an exceptionally graceful free Google Web Font text typeface that should withstand small sizes. Award winner at Tipos Latinos 2010 for her text and IPA typeface Voces (done with Pablo Ugerman). The latter typeface appeared in 2012 at Google Web Fonts. List of their typefaces categorized by revival type: Hermann Eidenbenz: Graphique (1946) now called Graphique AR, a shadow face. Jan van Krimpen (Ensched) revivals: Romulus Kapitalen (1931), Romulus Open (1936), Curwen Initials (Van Krimpen did these in 1925 for The Curwen Press at Plaistow, London), and Open Kapitalen (1928). Jacques-Franois Rosart: Rosart811, a decorative initial typeface that is a digital version of the 2-line great primer letters cut by J. Stephenson Blake revivals: Borders, Parisian Ronde. Rudolf Koch (Klingspor) revivals: Holla, Koch-Antiqua-Kursiv Zierbuchstaben, Maximilian-Antiqua, Neuland 24pt. Bernard Naudin (DebernyPeignot) revival: Le Champlev. P.H. Raedisch: Lutetia Open (2007) is based on the 48-pt Lutetia capitals engraved by P. H. Raedisch under the direction of Jan van Krimpen for Ensched in 1928. Richard Austin: Frys Ornamented (2007) is a revival of Ornamented No. Richard Austin for Dr. Edmund Fry in 1796. Stephenson, BlakeCo.
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